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Bio and Artist Statement
Background:
B.A. University
of Florida, Minor in Fine Arts
1997 Glass Workshop with Fritz Driesbach at Phoenix Studio, Tampa, FL
1998 Penland School of Crafts, Hot Glass Sculpting with
Richard Jolley
1999 Penland School of Crafts, Hot Glass Sculpting with Marc Petrovic
2001 Pilchuck Glass School, Glass Sandcasting with Kelly McLain and
Cathy Chase
2002 Pilchuck Glass School, Stanwood, WA, Glass Sandcasting with
Mitchell Gaudet
2003 University of Miami Hot Glass Sculpture workshop with
Karen Willenbrink-Johnson
2004 Penland School of Crafts, Glass and Iron with Rick Smith and
Che Rhodes
2005 Pilchuck Glass School, Mixed Media Glass Sculpture with
Therman Statom
1999 – Present: Owner/Artist Glass Studio Leonardo, Ozona Florida
Shows and Exhibitions:
2006
Capital
Arts Network National Juried Exhibition "Love, Hate, Love
Bethesda MD (1st Place)
2005 "Born of Fire"
Two Artist Exhibition with wife Laura Vincenti,
www.lauravincentglass.com Infusion Gallery, Los Angeles CA
"Continuity in Glass"
Postpicasso.com National Juried on line exhibition
2004
“Trilogy in Glass” Longboat Key Center for the Arts, Longboat
Key, FL
“Looking for America” Captital Arts Network National Juried Exhibition,
Bethesda MD
“Autumn
in America” National Juried Exhibition, Ithaca, NY
2003 Penland Gallery Juried Glass Exhibition, Penland,
NC
Art
Center Sarasota Juried Exhibition (1st Place)
Snooty
Judy Gallery, Dunedin, FL
Pinellas Annual Studio Waltz
Dunedin
FL Fine Arts Center
Bohemian Packrat Gallery, Dunedin, FL
Pinellas Association of Visual Artists Winter Show
2002 Design Lab Gallery, Tampa, FL
Ozona Beach Gallery, Ozona, FL
Artist Statement:
Glass in its most primitive and basic form is silica. The ancients
discovered this amazing material over two thousand years ago. I am
interested in working with glass in a form closest to its most basic
state. By casting molten glass into a mold of moist sand an clay,
I am able to achieve a result that resembles something dug up in an
archeological expedition.

I frequently combine a sand cast glass figure with an interesting old
object, particularly old tools or other utilitarian implements.
I am particularly interested in objects that have an unfilled negative
space. I find unlimited possibilities in objects that have
served their useful lives and have been discarded or relegated to garage
sales and flea markets. To embellish these with sand cast glass forms
causes them to take on new life and meaning.
I want the pieces to make strong statements of irony and
disorientation.. To achieve this, I use incongruous symbols placed
in unusual and unexpected ways.. In today’s “information age,” we
are constantly bombarded with often conflicting messages and images.
Rather than drive oneself crazy by trying to reconcile or make sense of
it all, sometimes it is more fun to just go with the flow.
Some of my work deals with serious themes such as social injustice or
capital punishment, but most are whimsical, satirical or simply
decorative. Most of my inspiration comes from the found object
itself. It may lay around for months or years until it finally
speaks to me and tells me what it wishes to become. Titles are
carefully considered and chosen, so as to give the viewer a hint as to
what the work suggests to me.
However, I like the viewer to place his or her own interpretation on
them, and I am delighted when someone suggests a meaning in them that
never occurred to me. |